How does a Tony sound? Pretty good to Brian Ronan ’84, who earned his first for the Broadway hit “The Book of Mormon” in the “Best Sound Design in a Musical” category at the Tony Awards in June.
“The Tony for sound design is relatively new and it’s a real honor to be singled out among so many talented designers,” he said. “In my formative years following my time at Oswego, I was inspired by many great designers prior to Tony eligibility, one of whom is Oswego graduate Tom Morse ’74. [He] is one of the designers who really pulled Broadway sound into the 21st century.”
Some of Ronan’s most valuable collegiate experience came from his time with Campus Lighting, an independent, student-run entity that gave him a feel for the business side of performance. He then made some of his first Broadway connections as an intern at Masque Sound.
“I think every show has a voice of its own,” Ronan said previously, “Part of my job is to find that sound and bring it forward to the audience.”
Ronan considers a Broadway house “just an empty room” until sound and light crews enhance it. He and his crew set up the sound and communications systems for each performance: everything from the mixing board to the backstage headsets.
Current projects include “Anything Goes” on Broadway and “Rent” off-Broadway as well as “American Idiot” and “Bring It On,” both touring nationally. He is also working on “Nice Work if You Can Get It,” starring Matthew Broderick and a musical adaption of the novel Giant.
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